Title: Destiny of a white horse
Text: In German, a white horse is referred to as a “Schimmel”, implying something which is full of mildew or rot. Many white horses become afflicted with equine melanoma and often die from the disease. Initially unnoticed within, the cancer in its final stages of malignance reveals itself in the orifices of the animal. Aesthetic beauty is an amalgamation of subjective values and forms which are pleasing to the senses. The photographs suggest a relationship between death and beauty. When a fetid body is rendered beautiful, wherein lies the repulsiveness? At the center of these photographs, the Schimmel is as a metaphor for quotidian paradox; from the realm of personal affairs to broader considerations of contemporary society and coaxial allegories of mortality.
Title: What's left is an empty room
Text: We develop solid structures in our lives, something to hold on to. Rooms to protect us; solid rooms to furnish with tables and chairs which help us to feel stable. Despite this, we still search for something else, something to help us feel truly at home. Something which won’t break or go away; a constant. This room exists outside of any reality, and for a moment, everything else is meaningless. The room is immune to all external influence. This is an exploration of openness and intimacy between two people: to be naked despite clothes, and dressed up even when wearing nothing at all. To be aware that nothing is exactly how it used to be. All that matters here are the two human beings present and their story - how she sees him, and how he sees her - although our perspective was shaped by one of them, with the shutter release in her hand. To return to life as an individual, to go your own way and exist just for yourself. No longer to know what the other is thinking. But before this separation, the two sit opposite to each other one last time. One last talk, but some words remain untold - unrealized potential. What has changed; what went wrong? Acceptance through uncertainty. Only the feeling that there used to be something there is left. Any attempt to ignore the accumulated emotions, and pretend for a moment that things are now once more as they used to be, is met with silence. It is not the solution and you know you have to give up. You give it away. And after all, the decision is made: “We are done”.
Julia Albrecht was born in 1992 in Offenbach, Germany. In 2012 she moved to Weimar, where she studies Media Art & Design at the Bauhaus-Universität Weimar with a focus on Photography.
2016 - ongoing
Fine Arts, Master of Fine Arts, Focus Photography, Bauhaus Universität Weimar, Germany
Photography, Emmanuel College Boston, USA
Photography, Massachusetts College of Art and Design, USA
2012 - 2016
Media Art and Design Studies, Bachelor of Fine Arts, Bauhaus Universität Weimar, Germany
Media Art & Design, Focus Photography, TAMK - Tampere University of Applied Sciences, Finland
07 / 2018 "Ausgangspunkt FAMILIE", Weimar, Germany
07 / 2018 "Und morgen treffen wir uns gestern", Weimar, Germany
06 / 2018 "GRAND OUVERT", Kunsthaus Erfurt, Germany
04 / 2018 "Kunstfests Artlezia", Lyon France
07 / 2017 "Silver and Moonshine III", Weimar, Germany
07 / 2017 "Vielen Dank für Ihre Aufmerksamkeit", Weimar, Germany
04 / 2017 "Apokalypse", Mühlhausen, Germany
07 / 2016 "An einem anderen Tag", Weimar, Germany (solo)
08 / 2014 "Hant-Magazin", Erfurt, Deutschland
07 / 2014 "Immer Irgendwo Anders", Weimar, Germany
05 / 2013 "Wohnklang", Weimar, Germany
Awards & Stipends
07 / 2018 "Bauhaus Essentials"
06 / 2018 "Women's Promotion Fund 2018", for "Destiny of a white horse"
08 / 2017 "DAAD scholarship"
07 / 2016 "Bilder-Bank-Preis", second prize
07 / 2014 "Well-Done-Award"
04 / 2019 "Bauhaus Essentials 2018"
07 / 2018 "Grand Ouvert - Bauhaus photography at its finest"
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