Title: When it hurts to become (coming soon)
Text: What does it mean to be a woman? The term woman does not solely refer to biological terms only it rather describes a role that an individual is being forced into. Accustoming to the female gender role is a complicated act - a never ending burden even. Women are confronted with many hardships throughout their lives, among them physical and psychological. Themes of pregnancy, adolescence or the stress of caring seem to be omnipresent. Does it come as a huge surprise that women are more likely to suffer when many of those issues can be seen as the root cause of their dejection. Is the existence of gendered depression unremarkable ? This work primarily regards social coding (gender), which sees femininity as well as masculinity as complex constructs, which in the view of the psychological definition has several facets: physicality, sexuality, values and norms, activities, properties and behaviours or communication. More than just an analysis of female depression, it presents an individual point of view, expressing personal experience which explores what it can mean to be a woman in the modern world. Or rather, how it feels to me to be depressed as a woman.
Title: After fertilisation
Text: To exist, yet to be unable to create. Composed differently to be the last of its kind. Objectively a miracle, it is a bastard in the vernacular. A deviation that has emerged from different species' procreation; a defective material arises from the joining of affective processes. A titular hybrid, but more likely a dead end of evolution. The performance of the sexual act is not impossible, though the urge is weak. Males are always infertile, but fertility is an occasional occurrence for the feminine. The dowry of the mother predominates. The hybrid: nature's ultimate artwork. Not the standard, yet possible. The predominant hereditary traits show the origin, but they appear stunted. Cognitively more capable than its parents, yet unable to reproduce. Denying is pointless. It is what it is. The body is for labor, but no labor of love. Able to withstand the yoke of its purpose. However uncommon, it is obliged to do its part ahead of death - with the duty to die at the end. - In cooperation with The Natural History Museum of Denmark & Westphalian Museum of Natural History.
Title: The burden of success
Text: Humanity is taught to be megalomanic; impatience is a result. Starting in childhood, the burden of success resonates in the cradle. Failure as shame. What remains? What is left? Something enormous? Something breathtaking? Or just dusty photographs, threatening to fade? Important- be of importance. Who dictates the evaluation of our lives? Am I significant? Or just a feather in the wind? Nice to look at but insignificant. Just as unimportant as short-lived. We build towers full of longing and desire at our foundations. But often our inadequacies predominate and with the strength remaining one tries to sustain the creative urge. Failure, the constant companion, diverts such concerns. An act of balance. Cadaver on cadaver, we stack fragile towers to ensure that long-failed ideals ultimately are not lost. Such that exist only in our thoughts. The system is shaky and brittle. Building something new from this - borders on megalomania. We have seen it - and now the inescapable scandal. The tower falls beneath its own weight.
Title: What's left is an empty room
Text: We develop solid structures in our lives, something to hold on to. Rooms to protect us; solid rooms to furnish with tables and chairs which help us to feel stable. Despite this, we still search for something else, something to help us feel truly at home. Something which won’t break or go away; a constant. This room exists outside of any reality, and for a moment, everything else is meaningless. The room is immune to all external influence. This is an exploration of openness and intimacy between two people: to be naked despite clothes, and dressed up even when wearing nothing at all. To be aware that nothing is exactly how it used to be. All that matters here are the two human beings present and their story - how she sees him, and how he sees her - although our perspective was shaped by one of them, with the shutter release in her hand. To return to life as an individual, to go your own way and exist just for yourself. No longer to know what the other is thinking. But before this separation, the two sit opposite to each other one last time. One last talk, but some words remain untold - unrealized potential. What has changed; what went wrong? Acceptance through uncertainty. Only the feeling that there used to be something there is left. Any attempt to ignore the accumulated emotions, and pretend for a moment that things are now once more as they used to be, is met with silence. It is not the solution and you know you have to give up. You give it away. And after all, the decision is made: “We are done”.
Title: Destiny of a white horse
Text: In German, a white horse is referred to as a “Schimmel”, implying something which is full of mildew or rot. Many white horses become afflicted with equine melanoma and often die from the disease. Initially unnoticed within, the cancer in its final stages of malignance reveals itself in the orifices of the animal. Aesthetic beauty is an amalgamation of subjective values and forms which are pleasing to the senses. The photographs suggest a relationship between death and beauty. When a fetid body is rendered beautiful, wherein lies the repulsiveness? At the center of these photographs, the Schimmel is as a metaphor for quotidian paradox; from the realm of personal affairs to broader considerations of contemporary society and coaxial allegories of mortality.
Julia Albrecht was born in 1992 in Offenbach, Germany. In 2020 she moved to London, where she studies Photography at the Royal College of Art.
Education & Jobs
2020 - 2022
Photography, Master of Fine Arts, Royal College of Art, London, UK
Lecturer for Photography, Faculty Art & Design, Bauhaus University Weimar, Germany
Online exhibition: www.struggle.gallery
2016 - 2020
Fine Arts, Master of Fine Arts, Focus Photography (with honors), Bauhaus Universität Weimar, Germany
Photography, Emmanuel College Boston, USA
Photography, Massachusetts College of Art and Design, USA
2012 - 2016
Media Art and Design Studies, Bachelor of Fine Arts, Bauhaus Universität Weimar, Germany
Media Art & Design, Focus Photography, TAMK - Tampere University of Applied Sciences, Finland
09 / 2020 "When its hurts to become", Weimar, Germany (solo)
02 / 2020 "After fertilisation", Weimar, Germany
10 / 2019 "Waste and void", Erlangen, Germany
09 / 2019 "Tbilisi Photofestival", Tbilisi, Georgia
07 / 2019 "Burden of success", Weimar, Germany (solo)
07 / 2019 "Utopia.Planitia", Apolda, Germany
05 / 2019 "Silvester in fremden Betten", Weimar, Germany
05 / 2019 "Salonfaehig #4", Reizüberflutung, Weimar, Germany
04 / 2019 "Extrempunkte", Spinnereirundgang, Leipzig, Germany
04 / 2019 "Studio Vortex 2019", Voice Off, Arles, France
07 / 2018 "Ausgangspunkt FAMILIE", Weimar, Germany
07 / 2018 "Und morgen treffen wir uns gestern", Weimar, Germany
06 / 2018 "GRAND OUVERT", Kunsthaus Erfurt, Germany
04 / 2018 "Kunstfests Artlezia", Lyon France
07 / 2017 "Silver and Moonshine III", Weimar, Germany
07 / 2017 "Vielen Dank für Ihre Aufmerksamkeit", Weimar, Germany
04 / 2017 "Apokalypse", Mühlhausen, Germany
07 / 2016 "An einem anderen Tag", Weimar, Germany (solo)
08 / 2014 "Hant-Magazin", Erfurt, Deutschland
07 / 2014 "Immer Irgendwo Anders", Weimar, Germany
05 / 2013 "Wohnklang", Weimar, Germany
Awards & Stipends & Residencies
03 / 2020 "DAAD Scholarship for fine art students"
12 / 2019 "Hahnemühle Student Photo Competition", Shortlist
06 / 2019 "Women's Promotion Fund"
05 / 2019 "Kreativfond", for "Go inside a slaughterhouse"
04 / 2019 "Studio Vortex" Artist Residency, Arles, France
04 / 2019 "Bauhaus Scholarship 2019"
07 / 2018 "Bauhaus Essentials"
06 / 2018 "Women's Promotion Fund", for "Destiny of a white horse"
08 / 2017 "DAAD scholarship"
07 / 2016 "Bilder-Bank-Preis", second prize
10 / 2020 "Slanted Magazine #36—COEXIST"
06 / 2020 "Balam N6: MESTIZX"
03 / 2020 "Waste and void", exhibition catalog
12 / 2019 "FineArtPrinter - Issue 1/2020"
07 / 2018 "Grand Ouvert - Bauhaus photography at its finest"
*since 2018 Member of the Marke.6 - Ausstellungsraum der Bauhaus-Universität Weimar
08 / 19 "the women of the house", Jenaer Kunstverein e.V., Jena, Germany
09 / 18 "B11 Marke.6", Positions Art Fair, Berlin, Germany
Inhaltlich verantwortlich gemäß § 55 Abs. 2 RStV und § 5 TMG: Julia Albrecht © 2018, Alle Rechte vorbehalten.
Jegliche Vervielfältigung oder Weiterverbreitung der Inhalte dieser Webseite als Ganzes oder in Teilen bedarf der Zustimmung von Julia Albrecht. Trotz sorgfältiger inhaltlicher Kontrolle übernimmt dieser keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich.